There is a place called Americana – not to be confused with that all too real country, America – where everything is larger than ordinary life, where feelings run hot and sorrow can make the world come to an end at least once an hour. It is a place where the population is not bothered by parking tickets (unless they lead to a stretch in jail) or taxes (unless the taxman closes down the farm); a place where all women have great strong hearts, which are easily bruised, and every man will gladly destroy his life for a woman with a great big strong bruised heart.
Not to be found on any map, Americana lives in the grooves of records and in guitars, bars and cars – it lies at the intersection of country, blues and rock’n’roll (specifically rock’n’roll of the Sun Studios flavour).
Central Coast songwriter Lianna Rose proves that you don’t have to be American to make great Americana. She proves it – almost too easily – on her new album Travellers, released this March. Over thirteen sharply penned songs, she covers rockabilly, ballads, pop-country and rock and roll. The rise and fall of the album – its sequencing following an arc from rattling double-time openers ‘Willy Wagtail’ and ‘Big Ass Town’ through to the middle set of ballads such as the title track ‘Travellers’ and ‘Pillar to Post’, heating up again for the last barrage of rockers: ‘Cowboy’ and ‘Take its Toll’ – gives Travellers a strong cohesion and makes it a vivid and cinematic journey through Rose’s own little isthmus of Americana.
Great songs, honestly rendered and beautifully played. Her voice is capable of raising the roof, Wanda Jackson style, on the rockabilly tracks yet can fall away to a blue reverie on the deeply felt ‘Travellers’. The innocently sung ‘Somebody Save Me’ could easily be a pop hit with its lush hook and perfect song craft.
That the small group of crack players on the album can cover all of these grooves and moods so adeptly is no surprise; with players such as Matt Fell and Dai Pritchard on board. Pritchard brings some of his Rose Tattoo mojo to ‘Cowboy’ and ‘Take it Toll’, his slide guitar weaving in an around Rose’s voice, summoning that hair-raising spirit that Duane Allman did so damn well.
Unlike much of current Americana, Travellers comes from an honest and deep place. As a genre, Americana can be too often overburdened with fake authenticity and second-hand experience. Rose writes and sings from a place of experience, with all its hurts and joys, and the songs breathe with the salty (and slightly bourbon-sweet) breath of real life.
An American poet once said “I am like a country song; all my sads are real.” That could apply to Travellers but, in Lianna Rose’s case, so are all her happys.
Lianna Rose’s website is http://liannarose.net