Sydney tenor saxophonist and composer Richard Maegraith is a deep human being. A committed Christian and free-thinking artist, his work has always resonated with a sophisticated spirituality while maintaining a heartfelt directness. Whether it be blowing tenor with the Australian Jazz A-list – James Morrison, Sean Wayland etc – or whether leading his own ensembles, his voice and soul are unmistakable.

For their new album, The Richard Maegraith Band has become the intriguingly titled Galaxstare. The album title is equally thought provoking – A Time, Times and Half a Time. For this album – recorded live at Sydney’s Sound Lounge – the personnel remains the same as 2007’s buoyant Free Running but you can hear the development from Track One.

And what a Track One it is! ‘Romans VII’ snips along in a clipped Latin groove before relaxing down into a languorous swoon of jazz vocal; the track moves back and forth from one tempo to the other throughout – this band really breathes. Throughout the album, the spicy doubling and great interplay of Maegraith’s horn and Kristin Berardi’s vocal again reminded me of Chick Corea’s early 70s band with Flora Purim, before the synths moved in and Purim moved out.

And like Chick Corea, Maegraith is not afraid to move beyond of the bounds of whatever constitutes jazz in his time, (he refers to Galaxstare’s music as “Jazz-ish sort of music; call it what you will”). His pairing of voice and tenor with Gary Daley’s accordian and/or Rhodes makes for some otherworldly results.

For the title track, ‘A Time, Times and Half a Time’, this otherworldliness goes beyond anything I have yet heard. The track is dedicated to Japanese friends of Maegraith’s, survivors of the 2011 tsunami that wrought such indescribable havoc across Japan. Switching to bass clarinet and using only the live resources of his band, Maegraith creates a vision of universal pain, wonder and depth. It is one of the most startlingly spiritual creations I have ever heard, Ligeti-like in its suspension of time and space.

We are snapped out of it with the propulsive snap groove of ‘Waiting’ – drummer Tim Firth putting the pots on and cooking all the way. Firth whips Maegraith along during his solo, recalling some of those mighty Coltrane/Elvin Jones codas that seemed ready to split reality right down the middle at any time. Intensity!

The final track ‘The Journey’ – all Maegraith’s track titles have a telling positive/seeking/spiritual resonance to them – is 10:36 of jazz funk reminiscent of Stevie Wonder’s spacier moments (special mention to bassist Jonathan Zwartz who lays down the deep river that this tune floats on). ‘The Journey’ takes its time to rise to the sharp peak of Maegraith’s tenor solo. You couldn’t get a performance this juicy in a dulled studio – the decision to record ‘A Time, Times and Half a Time’ live in front of a more-than-appreciative audience was a wise one.

Published March 2012 on http://www.jazzandbeyond.com.au/

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Comments
  1. David says:

    Great review, thanks John

  2. johnhardaker says:

    thanx david. richard is really making some superlative music these days.

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